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翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Freda Robertshaw ： ウィキペディア英語版 Freda Robertshaw Freda Rhoda Robertshaw (1916 – 1997) was an Australian artist. Born and raised in Sydney, she trained at the East Sydney Technical College until 1937, and became an apprentice and partner of Charles Meere. Both artists were conservative academic artists, painting the human figure in a stylised neoclassical style. Painters Arthur Murch and Napier Waller, and photographers Max Dupain and Olive Cotton are regarded as contemporaries. In 1998, ''Australian Beach Scene'' (1940), a feminised response to Meere's famous 1940 work ''Australian Beach Pattern'', sold at Sotheby's for $A475,500, a record for an Australian woman artist at the time.〔Maslen, Geoff (30 July 2002). ("Women push through the canvas ceiling" ), ''The Sydney Morning Herald''. Retrieved 16 November 2012.〕〔Philip McCouat, "The origins of an Australian Art Icon", Journal of Art in Society, http://www.artinsociety.com〕 She was also the first Australian woman artist to paint a fully nude self-portrait with ''Standing Nude'' (1944), which was also her last figure painting, representing her break from Meere's influence. ''Standing Nude'' was regarded as "the star attraction" of the 2001 ''Modern Australian Women'' exhibition, which debuted at the Art Gallery of South Australia.〔James, Bruce (18 June 2003). ("Pictures of restraint make an impact all their own" ), ''The Sydney Morning Herald''. Retrieved 16 November 2012.〕 Robertshaw later experimented with landscape and surrealism; one of her surrealist works, ''Composition'' (1947), was acquired by the National Gallery of Australia.〔(ROBERTSHAW, Freda | Composition ), National Gallery of Australia. Retrieved 16 November 2012.〕 ==Notes== 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Freda Robertshaw」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.